Category Archives: Xena

Eve & Aphrodite’s Canonical Connection

Eve & Aphrodite chatting at the end of The God You Know

I want to go back to this fascinating moment in season 6 of #Xena, at the end of “ The God You Know.” Eve & Dite are sharing a friendly moment despite Eve being the harbinger of the end of the many gods. Of course, Aphrodite is not actually a god at this point:

Caligula had drained her of her immortality. But Eve herself was never a champion against them, just the  object of their paranoia, & the catalyst for their self-inflicted downfall at #Xena’s hands. 

I mentioned in an earlier blog post that Dite has a future despite the coming of the one god of Eli. I felt strongly about this, & set  this up this concept in my story, but is there any actual truth to this? Did the show’s powers-that-be feel the same way? After all, the original plan for the Twilight of the Gods storyline involved killing off Dite, with only Ares surviving. It makes sense, after all: with Eve & Eli’s God of Love arriving on the scene, having another love god(dess) around seems redundant. Thank goodness Rob & R.J. overruled this when they returned from managing their spinoffs to rectify this.

Why did they do this? As explained in You Are There, set right after Eve & Dite’s scene, we’re told it’s necessary to have both Dite & Ares  to achieve balance in the world. So the God of Love is therefore not sufficient to balance out Ares. Why not? Because I suspect the God of Love represents a different kind of love, a more selfless & non-transactional kind of love. Dite’s love is more incarnate, & in a way, she kind of balances out the selflessness that the God of Love inspires by adding a necessary amount of desire that physicality demands 

if the species is to function properly. This desire could range from pure carnal lust all the way to the energizing feeling of being in a crowd, & this can actually help supplement the spiritual love that Eli preached about. Without it, we might feel an intellectual compassion for each other, but feel irritated & even repulsed by other’s’ unnecessary proximity.

Is there anything in the show itself to indicate that this is how the writers saw it, though? I believe there is. In You Are There, we see a world without physical love, now that Dite is mortal.

People quickly lose their tempers with each other, & visit brothels to pay for what they can’t naturally feel. But the Elijians should be immune from this, since their god of love is doing just fine, right?

Wrong! 

Eve & her prayer circle are fully concentrating on their meditation, but clearly can’t hold onto their feelings of love. Eve quickly loses her temper with a journalist, & her followers grimly crowd around him. They haven’t forgotten Eli’s teachings, they just aren’t feeling it!

Eve & the Elijians make a peace offering

After Dite gets her powers back, however, it’s a different story. Eve’s prayer circle appear as friendly guests on his tabloid show, & offer a very physical & downright carnal peace offering. They’re a bit off-balance, in other words, as their commitment to Eli’s spiritual love is suddenly flooded with an unexpected rush of physical desire. 

I’m guessing they all felt a bit silly afterwards about their lack of self-control, but given how everyone else was knocked off-kilter without Dite’s moderating influence, the Elijians handled themselves pretty well, I think. I suspect the future of the Elijians involves a lot of negotiating between the powers of the GOL & Dite, with varying degrees of success.

They’re only human, after all.

Building the Barn

The Elijian fish symbol

There is so much more to talk about when it comes to Elijian beliefs & how they’re intertwined with the show, but I’ll just make 2 more points. First, my belief is that had #Xena Warrior Princess continued on several more seasons, we would have seen her story move more into a gothic sensibility, something more resembling the roots of the Evil Dead series. We kind of see something like this in the 6th & final season of #HerculesTheLegendaryJourneys. The most recent RenPic series to date, Ash Vs the Evil Dead, is a bit like how I imagine it, except with more elaborate cosmology after Paradise Lost, & other sources. The Olympians would still play a role, but would look different. I think the God of Love causes a paradigm shift in human affairs, & this reverberates with them, because as people change, so do gods.

Exactly how do I imagine that? That’s a story for a different time, but I see a colorful future for a revival, if it happens. A more colorful Olympus, & as a Valley Mom rather than a Valley Girl, I’d love to see Alexandra Tydings return as a wiser Queen Aphrodite!

Finally, I’d like to talk about the Elijians’ pacifism. I’m fairly certain that doesn’t sound appealing to anybody, but I disagree. A lot of the action on #Xena is nonviolent in nature. Most of the Indiana Jones movies are nonviolent. Violence is only a small part of action, & suspense. I’ll talk more about this next week, but my research into the roots of violence, & the treatment for it, was key to my understanding of Livia’s nature, her backstory, & her recovery. This whole project is like an illustration of her journey.

To end this week’s topic, I’ll post a music video that to me represents the ideals of the Elijian movement. I needed something I could listen to everyday that invoked their community, its simplicity & its majesty. It’s an orchestral piece that comes from the 1985 movie  Witness, starring Harrison Ford as a big city detective who’s protecting an Amish eyewitness to a murder. He goes to their village, & doesn’t seem to fit in, nor does he seem welcome. One day, a couple marries, & the community gathers to build them a barn, in just a few   hours, by working together. Ford is asked to join in, & since he’s a carpenter in real life, he does rather well. As the day progresses, he bonds with the others, & starts to realize their simple way of life makes a lot of sense after all.

Maurice Jarre wrote the score,  with synthesizer for the scene, but he also wrote a version for full orchestra, which I think sounds much more like how #Xena composer Joseph LoDuca would arrange it. Australian director Peter Weir used Pachelbel’s Canon in D as the temp track for Jarre’s score.

First, I’ll post the link to the scene itself, the most famous one from the film, if you want to see it in context, with a light synthesizer arrangement. Then I’ll post the orchestral version:

And now the full orchestral version used for this project (I never get tired of listening to it!):

Paul, Actually

I had a very long thread for tonight about my thoughts on St. Paul & how he relates to Eve. He’s a fascinating figure who was viewed very differently in his time than he is nowadays by his own church. It’s problematic, though, & difficult to discuss in social media bites.

So I’ll just briefly discuss his impact on the show, & my story. Paul changed the world with his message of unconditional love, & used his own forgiveness by Christ as proof of it. He was a formidable intellect who could argue with the best minds of his day.

In Greece, they called him The Messenger, because they believed he was Hermes, the messenger of the gods. He enjoyed Greek theatre, & even quoted Euripides in his letters. Only half of his letters were actually written by him, & there were alterations in later years to conform with less tolerant views, so it’s hard to pin down Paul’s views exactly, but today’s scholars regard him as much more progressive than history depicts. Women were church leaders in his day: they hosted his meetings (much like the pic above) & funded them, since they also ran the households & kept the books. 

When he baptized new converts, he would say: “For there is no longer Jew nor Greek, slave nor free, male nor female, for you are all one in Christ Jesus.” To the extent that he counseled obedience to Roman traditions, which he despised, it’s only because he believed he was the last generation. Had he known we’d be reading his words, he’d have written an official document for public consumption, & no doubt would be known as even more radical than he was. 

Paul was a disruptive force when he came to town; like Ghandi, he was a sweet old man who could undermine the authority of the establishment, & he spent a lot of time in jail as a result. 

His career began after his conversion, & after he recovered from the blindness of seeing Christ. He traveled to Cyprus, where he met a sorcerer named Elymas. Facing off against him, Paul blinded him, & won the local leader to his side. It was at that moment that Saul took on the name of Paul, from Latin, meaning “Small”, an ironic term, given his stature in history. I combined this story with the myth of Proteus to illustrate Eve’s taking on of the public role of the Messenger of Eli. Tomorrow I’ll look at how I think the Elijians can both preserve & expand #Xena’s story in a revival, & how pacifism plays a role in an action tv show.

It’s Not Easy Being Green

Lucifer, aka “Lucy”

There’s no one size-fits-all influence on #Xena, & a lot of them overlap, but The Last Temptation of Christ is one of the big ones, imo. It’s there from the very beginning of Xena’s adventure, & its presence is felt to the end. This should come as no surprise:

We know from the dvd commentary that religious history played a big role in shaping #Xena’s story, so it makes sense that landmark films like Last Temptation would be a factor. According to George Strayton, who helped craft season 5’s arc, & wrote Seeds of Faith, Rob Tapert gave him a copy of the book to incorporate into the story. It’s safe to assume R.J. Stewart got a copy at the beginning, as well, & it came in handy in season 6, no doubt. We see it in specific ways, but also as a general influence. 

The whole idea of what life would be like for #Xena had she chosen a different path is there from season 1 to season 6’s When Fates Collide. The repeated motif of her crucifixion fits the story’s pattern, as well. I loved the movie, & I’ve read the book several times.  Its author, Nikos Kazantzakis, also wrote Zorba the Greek (the film starred Anthony Quinn, who also played Zeus in Tapert’s original 5 Hercules movies. Last Temptation, book & movie, has attracted a lot of controversy, but the author didn’t intend that. He wrote it as a devout Christian wishing to understand the choices Christ made in his time on earth. It’s a meditation on how to regard God’s creation, the world we live in, & the transcendent divine, which lies beyond it. 

He depicts Christ as being torn between the two, trying to envision his destiny in Heaven while blinded by the beauty & ugliness this world. Growing up, he feels the shame & sparseness of not knowing his true purpose, & once he glimpses it, finds the world all too beautiful, soon to be left behind.

To me, #Xena is about the struggle to realize your true self, & that’s the theme of this book. It’s a big part of Eve’s story, for me, since she has a very similar quandary, being torn between 2 very different roles & personalities. One of my favorite moments in book & movie is after Christ is baptized, & the fiery John the Baptist, who preaches the wrath of God, exhorts him to be a cleansing fire in the world. “But isn’t love enough?” Christ asks. “No,” John replies. “The tree is rotten. Take the ax & strike!” Christ, who represents a new way, can’t.

He says “If I were fire, I would burn; if I were a woodcutter, I would strike. But I’m a heart. I love!” We can hear this in #Xena, when Callisto visits Eli in Seeds of Faith, when he has his Gethsemane moment of doubt. She tells him: “The order of the gods must fall and you, Eli, are the hammer.” The most notorious section of the book is the final 3 chapters, when Christ, on the cross, considers the devil’s suggestion that he doesn’t have to go through with crucifixion to the end. It’s also significant for #Xena as well.

Just before this scene, Simon picks up the cross when Christ stumbles, & carries it for him. Simon is a tavern owner, & is known as the Cyrene. In #Xena’s pilot ep, Xena faces judgment when she visits her mother, Cyrene, a tavern owner. At this same moment in the book, as Simon carries his cross, Christ sees a vision of his mother, filled with lifelong anguish for her son’s inability to find his place, & addresses her: “All my life I toiled to turn the Curse into a blessing. I’ve done it, & we are friends now. Farewell, Mother!” This is analogous to #Xena’s relationship to her mother in the pilot, willing to be pelted with rocks if that would satisfy her judgment against her. Another key moment is just after this, when Christ utters the famous phrase: “My God, my God, why have you forsaken me?”

The book uses the Aramaic translation, & only the 1st several words, before the chapter ends, & Christ’s alternate life as a mortal begins. He says “Eli…Eli…!”

Originally, the character of Eli was supposed to be named Issa, after a pop theory that Christ went to India where he was known by that name. Rob Tapert realized that was too on the nose, & would create controversy, so he changed the name to Eli, & I’m certain it’s because of this passage. Right afterwards, Christ steps down from the cross, after being greeted by a kindly angel. In reality, he is Lucifer, & the only sign that something is off is that his wings are the color of green grass. During all 3 chapters of Christ’s alt-dream, there is this eerie presence of green. Sort of like The Matrix, how it seems to signify a deceptive reality.

(I wouldn’t be surprise if The Matrix drew this concept from the same book). For the purposes of my story, there’s a very interesting passage having to do with St. Paul. Mary Magdalene marries Jesus, & confronts Saul, the Pharisee. Because there are no Christians in this alt-reality, Saul follows his bloodthirsty ambitions, until he becomes as ruthless as Livia! He’s on a mission to kill Jesus, but Mary tells him: “I was just thinking what miracles you would perform if God suddenly flashed within you & you saw the truth! To conquer the world, my beloved needs disciples like you—not fishermen, peddlers & shepherds, but flames like yourself, Saul!” Saul says: “With love? I too want to conquer the world! In the meantime, I find relief by killing others!” Later, as an older man, Jesus confronts Saul, now self-named Paul, preaching the word of the crucified Christ. Jesus calls him a liar, but Paul laughs in his face: ‘I shall become your apostle whether you like it or not!” This version of Paul is more like John the Baptist: Love is a cleansing fire, filled with judgment.

Jesus realizes the unique nature of his message, & how he was not merely an empty vessel for God’s word, but had specifically shaped it with his gentle heart. It was to be his unique gift to the world, now denied its influence. It’s clear in the context of #Xena that Livia’s conversion by Eli was very similar to Paul’s conversion on the road to Damascus. But seeing this specific depiction of Paul, we see that Livia is very much an alternate reality version of him. As Eli’s word is spread, we see the presence of the color green.

And just as Lucifer had green wings in Last Temptation, so does he on #Xena. So does Michael & Raphael! Are they deceivers as well? Hmm, maybe there’s just more to them than we can see, but I feel the green color of the Elijians signifies, if nothing else, that we are seeing an alternate version of Christianity, one tailor-made to the themes of #Xena. Tomorrow, I’ll talk more about the real Paul, also a very interesting fellow.

Elijian Origins

Eve, Ares and Aphrodite

One of the concerns we might have about any Eve story is what sort of Messenger she is. If we regard her as basically a Christian with the serial numbers filed off, then does that make her an Eve-angelist? Does she travel to other countries looking to convert “pagan” souls to her faith? Is she a cultural imperialist, a zealot, preaching the one true message of the one true god? 

I think we already have our answer to this in The God You Know, in the very last scene. Eve, Ares & Aphrodite are all sitting next to each other, with Eve smiling sympathetically as Dite complains about her newfound mortality. She’s sitting right next to Ares, with whom she had some bad history, but doesn’t seem to mind. He did bring her back to life, after all, in Motherhood. Later on, Eve has no problem when her mother restores their godhood to them. 

It doesn’t surprise me that Eve & Dite get along: they’re in the same line of work, as I see it, just working different sides of it. They’re spreading the word of love, & I believe Dite has a bright future, in her own way. Ares, as well, since he’s highly adaptable & probably the most open minded of the Olympians, given his opportunism. We shouldn’t be surprised. This is how it worked in real life. These Olympians continued on side-by-side with the Christian faith, & survived into the present as motivators of human interest in their respective sphere’s of influence. Love & war did not end with the Christian Era, & certainly not with the Elijian era. 

So, what IS the Elijian Era? How does it work, according to the show? How is it different from the Olympian era?

The bottom line is: pretty much the same! If you go back & highlight everything Eli says about his faith, it’s pretty much a description of what Xena & Gabrielle already believe. It’s the ethos of the show, presented as a religion. 

Eli never talks about having rituals, or having to believe in a particular god (despite there actually being an entire heavenly hierarchy associated with this faith). There don’t seem to be any jealous gods demanding fealty, or holy days, or anything like that. In fact, nothing to preclude one from leaving any other faith to join it. In Seeds of Faith, Eli does say that humanity doesn’t need the gods. He teaches that each person is potentially a vessel of love that can find peace on their own. 

This makes him a threat to the jealous Olympians, but Krishna doesn’t seem to have a problem with his teachings. Indeed, Eli was a student of the Temple of the Chakram, which presumably was set up by the elder gods, & we’re told by Chris Manheim that he traveled to Egypt as well to study there, so there seems to be a connection of truth among all these faiths that he’s tracing. 

I think the roots of Eli go deep in the show’s creation, all the way back to its original concept as an adaptation of Conan the Barbarian. In those stories, there is a similar figure, Mitra, who is different from the others. He is a kind of humanist god, appearing as a gentle, bearded man, who empowers & elevates humanity, rather than try to reduce it to a groveling & bestial race. 

But Eli’s teachings come straight from Greek drama, I believe. #HerculesTheLegendaryJourneys was heavily influenced by Euripides’ drama, Herakles, I believe. It’s about Hercules’ reputation being destroyed by Hera, & redeemed by the faith of his friend, Theseus, who stands by him when all others have turned way. This act of unconditional friendship is key to the show, & I believe key to #Xena as well. The very last ep is called A Friend in Need, after the Aesop fable about true friendship when it’s most needed. In Looking Death in the Eye, Ares laments #Xena’s “death”, envying Gabrielle’s unconditional friendship, while acknowledging that his own is quite conditional, indeed. 

This doctrine of unconditional friendship is the true creed of Eli, & he demonstrates it when he saves his persecutor, Livia, & restores her to her true self, Eve. You might say there’s a condition: Eve becomes his Messenger, continuing his ministry, but that’s how she rolls. She never does anything by half measures. The theme of friendship is the message that I believe Eve takes up. As Eli says in Seeds of Faith, “If we are joined in peace & friendship, then we have no need of the gods.”

Gospel According to Eli

Ares: “Since the beginning of time, it’s been warriors who have shaped the world!”

Eli: “That’s about to change.”

—Seeds of Faith, #Xena Warrior Princess

This week I want to tackle the subject of Eli & the Elijians, the followers of his message.

He died a martyr for preaching peace, slain by Ares so that the cause of peace would live on after his death. I think it’s a relevant story to our times, especially for anyone looking to change the world in a real & lasting way, & why it moves me to write about it.

To me, it’s not just something they came up with for season 5. I maintain it was there from the beginning: literally, the pilot. For that reason, I think it’s an integral part of any future Xena/Eve story. But I don’t think this is something I can fully argue in a few posts.

So I’m not going to go into great detail litigating this issue here. My main goal is to provide my rationale for using the Elijian storyline as a focus for my story, & explain why I think it should continue. My goal is to create what I think a canon Xena story should be, and not to prosetylize on behalf of any specific religion that Elijianism is seen to represent. According to the writer of the above ep, Seeds of Faith, Eli is inspired by both Christ & Ghandi, but shouldn’t be read literally as one or the either. I think the Elijian cult has a number of ingredients to it which I will briefly outline, & I’ve taken the stated sources used on the show & expanded on them as a way of giving a more thorough picture of the cult in my story. 

Since my story is set after Motherhood, over 25 years after Eli’s death that’s plenty of time for rituals to develop, & indeed, we see Eve take part in one at her initiation: baptism. There’s also time for growth of dogma, for legends about Eli to arise, & misconceptions & schisms in the faith. We see the beginnings of that, too, on the show.

Mostly, though, I want to address any skepticism fans might have about the dramatic potential of the cult of Eli & its impact on an action show like #Xena. His teachings sound like a wonderful ideal, but maybe not entertaining to watch.

Myself, I’m fascinated by the growth of religions, & the pacifist approach as a subject of drama, so I feel perfectly suited to tackle this difficult subject in what I hope will be an entertaining way. This week I’ll be discussing the show’s sources for Eli’s story, how Eli’s teachings mesh with the ethos of #Xena, where Eli’s name came from, Eve’s real-life model, St. Paul & how he’s viewed today, how pacifism works, & why Elijians like green! I’ll end the week with a music video of what I consider to be the perfect Elijian anthem.

An Eye For Business

Let’s talk some more about #Salmoneus, who’s quite entertaining, but a really interesting character, the closer you look. His character is often associated with blindness, or lack of insight, his own, or other folks. In Eye of the Beholder, he stands with a cyclops who’s discriminated against because of his height. A contrast is made with the single-eye cyclops & the blindness of the country folk who can’t see past his appearance. In The Gauntlet, he sees the potential goodness of #Xena before anybody else. He tells #Hercules: “She’s not as evil as you think she is. She’s got some heart!” Hercules is skeptical: “You’re serious?” Later, Sal tells #Xena she should be teaming up with Hercules against their common foe. BTW, Sal even tells us #Xena’s scent, in Unchained Heart: “Hyacinth & cinnamon”.

So his nose is perceptive, too! He does a number of eps related to blindness. In season 3’s Lost City, he’s blinded by a type of lotus leaf, & the same is true in All That Glitters. That saying, about gold, is also about not judging the worth of something by its appearance.

I used All That Glitters as an important source for my story, because I believe he meets his future wife on this show. Sal, a former toga salesman, shows off his latest custom-made toga in gaudy colors, & Herc responds: “Are you color-blind?”

Sal & Herc visit King Midas to see his new gambling casino, The Golden Touch. It turns out, the king lost his golden touch, & works as a greeter. He lost control of his kingdom to a couple of venture capitalist sharks, & now they’re running it into the ground, with predatory lenders & gambling destroying its economy. At 1st, Sal is blinded by gold: he’s impressed they’re making money hand over fist, however unethical. The casino’s predatory queen, Voluptua (played with relish by Jennifer Ward-Lealand) catches Sal’s eye  with her dress & business sense: “What I could do with a partner like her!” Later, Sal is approached by Hispides, a bearded lady. If you’re wondering what the deal with that is, the casino has a distinct circus atmosphere, with flame throwers, trapeze artists, etc.

I suspect the reason has to do with an apocryphal phrase attributed to P.T. Barnum: “There’s a sucker born every minute.” Barnum introduced the bearded lady at his circuses, & they were mostly the real thing. Bearded ladies have a genetic trait that is distinct from intersex or transgender people. Hispides has a mustache & a beard, & approaches Sal with what sounds like a pick-up line: “I like your toga.” Given the established fact of his toga’s garishness, Sal definitely interprets this as a come-on, & focuses on his dice.

She tries to approach Sal several times, after removing some of her facial hair, but he’s brushes her off each time. The action comes to a head when Hercules desperately needs a knife to cut the rope trapping King Midas & his daughter. Sal tries to find one.

Turns out, Hispides has a knife, presumably the one she’s been shaving with. Now coyly filing her nails with it, she agrees to sell it to Sal for a fair price. Sal agrees, & Herc is able to save the day. The kingdom gets its native economy restored, & the casino is shut down to be sold for parts. Hispides now corners Sal once & for all, her face totally shaven. Sal is stunned with her fetching appearance (in his eyes). “Oh, you like it?” she asks. She quickly shifts the topic to what she’s been trying to talk to him about.

She wants his help to buy the casino parts cheap, & resell them at a marked up price. Suddenly, she’s even more beautiful to Sal, & they fall deep into discussion, as Sal begins to see the benefits of delayed gratification as an economic principal.

My guess is that Hispides’ whole agenda throughout the ep was to size up the casino as a potential opportunity. She probably realized it was an unsustainable business model, & posed as the bearded lady so she could get an inside look. She spotted Sal, game recognized game, & it was business at 1st sight! For her, at least. She was willing to blow her cover to get his attention, & saw through his silliness & found something more substantial. I don’t think it was necessarily love at 1st sight, since Sal would go on for several more seasons as a satyr on the make. But in my alt-universe, she & Sal hook up again in the middle of season 6 of #HerculesTheLegendaryJourneys with an arc of their own, as they attempt one business venture after another, each crazier than the last, until they find their pot of gold, metaphorically speaking, that is, culminating in a clip-show wedding ep of legendary proportions.

I like them as a couple because she’s well-suited for him, & is equally attractive to his non-satyr side, & I believe she’ll strengthen that quality over time. Plus she’s the type of gal that he’s qualified to actually make her dreams come true: he’s the salesman that can bring her schemes to life.

Queen Aphrodite

Queen Aphrodite and the Sovereign

My #Xena story covers not only events on Earth, but in Olympus as well. Aphrodite finds herself the queen of Olympus. This is not the 1st time! On #HerculesTheLegendaryJourneys Aphrodite’s alternate self in Stranger in a Strange Land is not the goddess of love (that’s Ares), but the queen of Olympus. Hercules’ alt-self is The Sovereign. I love this concept because Earth’s Herc is defined by friendship, but the Sovereign believes he needs no one (one of the meanings of the word “sovereign”). Queen Aphrodite is being forced to wed him to  save Zeus’s life.

Xena and Queen Aphrodite

Her wedding dress is black, as if she’s in mourning. This is a nice coincidence, because the Queen Aphrodite in my post-Motherhood story is still dressed in her black mourning gown, in honor of the fallen Olympians killed by #Xena.

Aphrodite in mourning, in Motherhood

She’s also mourning her old role as simply the goddess of Love. Running Olympus on your own is not all it’s cracked up to be. We never actually get to see her in this role on the show because we don’t see her again until The God You Know, in which it turns out she’s under the thumb of up-and-coming god Caligula. So, in a way, the 2 queens have a lot in common! Aphrodite doesn’t get her godhood back until You Are There, at the same time as Ares, & when we see her next, in Many Happy Returns, she’s back to her cheerful self,  ruling Olympus with her brother Ares sharing the burden.

Once and Future Eve

One of the biggest things to address in an Eve-centric story is figuring out what she does. What is the message she delivers? What is the purpose she serves? She’s not just looking to do penance, she’s on a mission. That meant defining the God of Light, understanding Eli’s message, & looking ahead to see what sort of problems she’s uniquely suited to fix. 

I’ve noticed a lot of Eve-related fan fiction avoids this issue by taking Eve off her path as Messenger, by having her discover the cult is corrupted in some way, or she becomes disillusioned with it, & returns to Xena’s original path for her, the Amazons. I’ll talk more about this next week, but I think the most feasible path for her is that of the Messenger of Eli. Among other things, this gives her the opportunity to engage the word at the same scale #Xena did, in a way that an Amazon or a wandering pacifist doer-of-good-deeds would—& she would have to be a pacifist: returning to violence would be a defeat for her character, & very difficult to justify, & there’s no way the former Livia would not be challenged everywhere she went, unless she had a pretext for not responding with violence, & the stature to enforce that. After all, St. Paul was a former practitioner of violence, & was protected from retribution by a church that supported his efforts.

Plus, the idea of Eve going it alone goes against her character. She’s not like her mother, a ronin-style wanderer. She’s spent her life in a community & thrived in that, & we see her building a new one for peace throughout season 6. Being part of an organization is more her style. That said, she has the instinct of an iconoclast, someone who upends tradition & bucking the status quo for what she thinks is right. The community is necessary, but she’s not afraid to defy it, especially in the form of the Roman government.

Essentially, I see her role as a uniter, someone who brings people together, & her organizational skills makes her a perfect recruit for Eli’s mission. Eli himself was a bit of an anarchist, a student who took to the streets driven by his beliefs. Eve thinks on a much higher strategic level, & like Paul, has the temperament for turning a cult into an empire-wide force. But that is yet to come for Eve. It helped me to imagine her arc through season 6 & beyond, into a future spin-off, & work backwards from there. Her casual gestures in this story would one day be seen as humble signs of the legends to come. 

Next week, I’ll go into more detail about this Elijian faith she serves, to understand what exactly she’s fighting for, & how we’re to think about it. Is it idealistic, practical, foolish? Or is it an imperialist, colonialist, nationalistic form of evangelism that most Xena fans would have difficulty rooting for? Spoiler alert: most fans should be okay with it, as I understand its workings. 

I chose this thread’as picture of Eve on a ship, gazing at the horizon because that’s how she 1st appears in my story (though looking much more frazzled), wondering about her future. She lived her life focused like a deadly laser beam, & now that beam has dissipated in the clouds surrounding her, the future a blinding haze yet to reveal the path forward. This week’s music video is not in the story itself, but is the song I listened to first each day as I worked on this project, & helped get me into Eve’s state of mind at this moment. Its images eventually became woven into the fabric of the story itself.

Comedy is Hard

There is an old saying: “Dying is easy, comedy is hard.” I guess it depends on the circumstances. My preference for this story was to make it a musical comedy, the format I have the most fun writing. That said, There are issues involved in this story that make it tricky.

This story revolves around Eve’s coming to terms with her past in order to face the challenge of the present: the threat of citywide violence, crucifixion, & the destruction of the Elijian cult she’s just joined. Not the stuff of comedy, you’d think!

At the center of this story is Eve herself, who had no comedic lines on the show (outside of the You Are There parody). Furthermore, comedy eps on #Xena always had a serious subtext. In fact, some of them were originally dark dramas, flipped to comedy for various reasons.

In order to acclimate myself to this challenge, I did a number of things. First, I wrote it as a serious drama. It helped me to take the story’s issues seriously, & to bring in characters from the original show on an equal footing. I added layers of comedy to their scenes once I was certain I had a good grasp of the drama. Some were very easy to convert to comedy. Both #Xena & #Gabrielle had a history of comedic performances, so I had a good feel for their style. Ares & Aphrodite were the comedic relief, so it was more a matter of adding deeper layers to their story than the other way around. 

Salmoneus would seem to be easy, but he has a unique style that can get quite meta, so it was more a case of trying to channel #RobertTrebor’s sense of ad-libbed humor. I read his recent book of political satire #TheHaircutWhoWouldBeKing which I very much enjoyed, so it helped me get an idea of his voice independent of the show’s writers. Sal’s daughter was a bit trickier, since hers is a more dramatic role, but she shares some of Sal’s traits & manic energy, which was helpful.

Eve was the most difficult of all, & in fact, her story got darker the longer I worked on it. Her life’s an amazing journey, & I explored as many of its emotions as I could, but it didn’t fit the story tonally. I reviewed as many of Xena’s similar episodes (such as Locked Up & Tied Down) to get a sense of how the writers & Lucy juggled her darker issues with the energy of her action scenes & comedy (which is present in every ep, no matter how dark), & that helped me find an approach. 

As it happens, I have no trouble imagining Eve’s sense of humor in a future revival/spin-off. There’s another saying: Comedy is tragedy + distance, so a revival would give Eve decades of distance. But this story is set only days after Motherhood, between 2 tough eps for Eve so it’s hard to figure out where Eve’s sense of humor is at this moment. The writers themselves couldn’t figure it out, either, it seems; earlier drafts don’t show any humorous lines for her. I don’t blame them. As I see it you can’t write comedic lines for her unless you know exactly where she is at this moment, & I don’t think anyone really did. 

It seems to me that Eve’s character was in flux during this time, & her backstory not really known by anyone. Adrienne made her own backstory, but it had to be revived constantly as new scripts with new surprises about her past came up. Actors were encouraged to improvise (& she did for You Are There) but Eve wasn’t a character that lent herself to that. Perhaps Eve’s status as a religious leader like St Paul meant they had to tread carefully with her.

That may explain why Eve’s first comedy scenes wait until her 2nd to last appearance. Eli himself didn’t have any real comedy scenes either despite being a street performer. So the challenge for this story is clear: to give Eve comedic scenes, there needed to be a logical psychological framework for it, & that required a clear backstory to shape it. Once I did that, her comedic lines felt more authentic to me, & her point of view actually helped shaped the visual look of the story, over time. 

Though I tried as often as possible to imitate the look of the show, I decided to customize that look to integrate it with Eve’s sense of humor, & allowed her to respond more organically to it. We’re seeing the world through her eyes, so I believe it feels more genuine. I feel this is in keeping with the show’s spirit since it often customized locales & costumes to give each town its own look, so the townsfolk & Roman soldiers of Cyprus would also have their own look as well. Cyprus does appear on #HerculesTheLegendaryJourneys & does indeed have its own look, but I’ve taken that idea further, borrowing some elements while setting the action in the northern sector of the city, near the ports & canal district, whose influences are more Asian, Egyptian & Indian, more connected to global trade. There’s no visible Greek influence, of course, in keeping with the show’s aesthetic. 

It was a lot of fun exploring this side of Eve, though it was a gradual process, but I was able to pull from the original show opportunities for humor that were left unexploited, & of course Adrienne herself has a great sense of humor, so I feel like I’m staying true to Eve’s experience.