I’ll wrap up the Laurel Tree ep from the #Xena Virtual Season I worked on 21 years ago with its closing image: a dad & his kids grateful to our heroes Xena & Gabrielle. I gave them a distinctive Little Nemo look here. Little Nemo was drawn by an animator, & pretty much any comics artist who worked in animation (like Walt Kelly, of Pogo) is a huge influence on me, as I also studied animation. One of the things I loved doing on the #Xena vs was visualizing the supporting characters: that’s where the artist can expand on the story.
Monthly Archives: November 2023
Xena Virtual Season: The Laurel Tree 6
This drawing from the #Xena Virtual Season ep, The Laurel Tree, shows iirc a soldier with a gorytos, an ancient Greek quiver. (actually Scythian). It was specified in the script, but I came across a pic of an ornate one found in Philip of Macedonia’s tomb.
Generally, when I illustrated a teleplay, it was given me by the editorial staff. I didn’t really interact with the author. This was how they did it on the show as well. I would try to discover the author’s intent, while expanding on it using my own research.
I would also try to look for any patterns in the story that could influence my choices. It didn’t matter whether those patterns were intentional: if they were there, for any reason, I’d use them. In this case, I did hear from the author, afterwards, who told me I picked exactly
the right design for the gorytos. So I was very pleased. She was very nice, & would later write another ep in season 8 I was looking forward to illustrating, but wasn’t able to, as I had other commitments by then. Btw: you know this character is evil by the off-kilter angle!
Virtual Season: The Laurel Tree 5
This is another drawing from the #Xena virtual Season ep, The Laurel Tree. Gab leaps onto Argo II’s back as Xena rides away. I like this one as well, as it gives you an idea of motion despite them just sitting on a horse, due to the progression in their poses.
Xena Virtual Season: The Laurel Tree 4
More Virtual Season drawings from The Laurel Tree, this time #Xena wrestling with Alti. This has a rotoscoped Ralph Bakshi cartoon look. Tho Xena is an action show, it’s a challenge capturing that in comic book form. Emotion is key, & I tried to capture that at least.
Xena Virtual Season: The Laurel Tree 3
Another Laurel Tree sketch for the #Xena Virtual Season. Gabrielle confronts Alti. I was pleased to have the chance to draw Alti. I think I designed her look, but am not sure. She definitely looks like a Little Nemo character here. Gab’s costume was designed by the staff, the AFIN tattoo is covered by tattoo-shaped armor.
Xena Virtual Season 7: The Laurel Tree 2
This is one of my favorite drawings, also from the #Xena Warrior Princess virtual season episode, The Laurel Tree. Xena has been injured & blinded (blindness is a common motif on the show), & Gabrielle is valiantly carrying her to safety. Gab is often the rescuee, so I loved the idea of turning that around.
Virtual Season: The Laurel Tree #1
This is the first drawing I contributed to a #Xena virtual season in late 2001 I believe. I joined it halfway into its “7th season”. The name of this ep was “The Laurel Tree,” a beautiful elegiac tale. This particular vs had a number of eps like that, which suits my mood.
It was influenced by the classic film To Kill a Mockingbird. You’ll notice Gab’s outfit is different than the tv show. Keep in mind this is after A Friend in Need, so she still has her tattoo, & she’s more armored, due to having wielded the chakram.
I didn’t design the costume. The vs had an editorial team that designed new costumes, etc for the main characters, as needed, then supplied the models to guest artists (like me). I think I made her hair slightly longer to show passage of time from AFIN.
Virtual Artist
I’m currently preparing the drawings for my project, but in the meantime, I wanted to show examples of the last time I attempted a comic book approach to #Xena, when I worked on one of the virtual seasons which popped up just after #Xena ended, in 2001.
My work was inconsistent (putting it charitably) due to my wrestling with artist’s block. Years later, I overcame it, a process I’ll talk about later, but I’ve always found #Xena friendly territory, regardless. Like a lot of fans, it’s always been my safe space.
Over the next week or so, I’ll talk about that experience, & what I enjoyed about the process, which was very different than working on my own. I’ll spare you my worst efforts, though; not every drawing needs to be immortalized!